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July 2009 Edition

Harper's Island TV series takes audience on a frightening journey

This article and the full issue below!
InCamera July 2009: Harper's Island
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 Focus on Film

 Harper's Island TV series takes audience on a frightening journey 

  Meet the newest member of the VISION3 Family: KODAK VISION3 250D 5207/7207 Film

 Why and how That Evening Sun touches people’s hearts

 Positive outlook for De Storm

 Looking at the lighting challenges on Murder mystery set in Istanbul

 The Courageous Heart of Irena Sendler: How to tell a story that touches the heart

 Creating visuals for a vast storyline in Vaaranam Aayiram

 Curve of Earth a renaissance of the Techniscope format 

 The multi-layered world of Los abrazos rotos

 Exploring the lives of Russian gangsters in Kill the King 

    

 John Bailey, ASC: Exploring the aesthetics of anamorphic filmmaking

 Westenbrink takes on Degrassi: The Next Generation 

 The Informers a dark look at 1980s Los Angeles

 180° Lighting for dramatic changes

 Bones High quality images on a tight TV schedule

 Savouring success at the Mid-August Lunch   
 
 Gatlif, gypsies and Liberté 

 Rolling Rock: A journey with Wally Pfister: creating artful commercials

 Darrell Martin gets Satisfaction

 Focus on Post

 Casanegra the dreams and the reality

 Caleb Deschanel turns to LaserPacific for dailies on My Sister’s Keeper 

Visualising the Cinesite effect

 Imagecare Program

 Bucks Laboratories becomes first UK facility to achieve Kodak Imagecare Program Accreditation

 ARRI BERLIN joins the Imagecare fold

 Kodak Cinelabs Spain joins the Imagecare program with a perfect score

 Kodak hosts 2nd International IMAGECARE Program Conference in Hollywood

 STOP PRESS 

 Next Generation

 Sarossy: Learning on film remains the gold standard

 Shaden creates three worlds for Red Vines

 Kodak and short films – a winning combination at the Clermont-Ferrand Festival

 Winners of the Kodak commercials awards

 CILECT: Project marries students from Mexico and Italy on thesis film

 Nasser Younes focuses on 16mm

 The shaping of Schwerkraft 

 Industry Update

 Hofmann mentors the next generation

 Large Format

 65mm the right format for Microsoft spot 

InCamera Credits