16Mm

16mm Provides Right Aesthetic for Charles Poekel’s Indie Feature Debut

Kentucker Audley in "Christmas, Again". (Credit: Sean Price Williams.)

Christmas, Again is the first feature film from writer-director Charles Poekel. It follows a heartbroken man, played by Kentucker Audley, in the month leading up to Christmas as he sells trees on the street in Brooklyn, New York. The intimate story was shot by Sean Price Williams, whose previous credits include the indie gem Listen Up Philip.  

Christmas, Again premiered earlier this year at the Sundance Film Festival in the low-budget NEXT category.

Insight: Tom Luse - on producing The Walking Dead in Super 16

Published on website: October 08, 2014
Categories: 16mm , Television , Focus On Film , VISION3 500T Color Negative Film 5219/7219
Tom Luse - The Walking Dead _ Season 4, Episode 5 _ BTS - Photo Credit: Gene Page/AMC

Though he didn’t know it at the time, producer Tom Luse began preparing for a career in show business in college, when he was charged with the enviable task of popping the popcorn at an art house cinema in his hometown of Atlanta. “I liked movies, but it wasn’t something I had planned on going into,” explains the EMMY®-nominated producer. “But later, in graduate school, I had the opportunity to study film and ended up getting a degree in Communications.”

While these days it’s being an executive producer on The Walking Dead that keeps Luse busy (he’s been with the show since the very beginning), he has dabbled in a variety of job titles over the years. “I wanted to be a technician originally, and ended up working in the camera department as a grip,” Luse recalls. “I found that my skills were really in organizing things and thinking ahead, which eventually led me into location management, then into production management, and then into producing.” As he readied for the fifth season of The Walking Dead, Luse spoke with us about lighting a post-apocalyptic universe, the cost of time, and why zombies look better on film.

Ask a Filmmaker: David Dart, NFL Films - Answers

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David Dart, NFL Films staff cinematographer

The questions are in and the answers are back! A big Thank You to NFL Films cinematographer Dave Dart for taking the time during playoffs to answer questions from our readers! You all came up with some great ones with topics including focus pulling, film stock preference, shooting style, and the romanticism of football on film.

There's a reason NFL Films has won over 100 Emmy® awards, and here's a sneak peak at how they do it!

The Why We Love Super 8mm and 16mm Wedding Cinematography

Kevin Snelson of The Why We Love

Winter is taking hold in the northern hemisphere and temperatures have dropped below freezing. With snow on the ground here in Kodak’s hometown, we figured there was no better time to share some heartwarming films from Super 8mm and 16mm wedding cinematographers The Why We Love.

Calling California home, Kevin and Danielle Snelson have been documenting weddings for years. We recently spoke with them about their craft and they shared details on their obsession with film and what motivates them to create such beautiful memories. It’s our pleasure to introduce The Why We Love!

Ask a Filmmaker: David Dart, NFL Films

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David Dart, NFL Films staff cinematographer

The 2013 football season is underway, and the crew at NFL Films is busy capturing all the leaping catches, goal line stands, pre-game pep talks, and sideline celebrations. Considered the gold standard of sports filmmaking, NFL Films strives to not just document the game, but to preserve it, and carry on the legacy of all those who have helped make the game what it is today. And motion picture film is part of that legacy.

Since 1962, NFL Films has captured and archived over 100 million feet of 16mm film. Their productions were the first to use ground-level slow motion, shoot sports with 600mm lenses, and to incorporate reverse-angle replays. Can you imagine shooting the Super Bowl handheld with a 1,000-foot magazine and a 50-500mm anamorphic zoom lens? Ever wonder what it is like to capture the fast-moving, hard-hitting action of the NFL? Now is your chance to get full access with NFL Films cinematographer David Dart.