JAEDEN LIEBERHER and BILL MURRAY star in ST. VINCENT© 2014 The Weinstein Company. All Rights Reserved. / Photo: Atsushi Nishijima
Among his many iconic credits as a cinematographer, John Lindley, ASC counts memorable films like Father of the Bride, Mr. Brooks, Pleasantville, You’ve Got Mail, Sleeping with the Enemy, and Field of Dreams in his repertoire. His most recent endeavor is St. Vincent, in which Bill Murray plays a gone-to-seed war veteran who has an influence on a young boy who lives next door. That influence is unwelcome to the boy’s recently divorced parents.
There’s comedy in that conflict, and eventually, an unlikely friendship develops. The cast also includes Melissa McCarthy.
(L-R) Keira Knightley, Matthew Beard, Matthew Goode, Benedict Cumberbatch, and Allen Leech star in The Imitation Game. (photo by Jack English)
Mathematician, cryptanalyst and computer science pioneer Alan Turing was tasked by British intelligence during World War II to break the Germans’ nearly impenetrable message coding system – the Enigma machine. His success enabled the Allies to turn the war tide, but tragedy befell Turing and he ultimately committed suicide at the age of 41.
The Weinstein Company brings Turing’s complex story to the screen in The Imitation Game, starring Benedict Cumberbatch, and featuring Keira Knightley, Mark Strong and Matthew Goode. To capture the visuals, director Morten Tyldum selected Óscar Faura (The Orphanage, Anna) based on his photography of the 2012 Thailand tsunami tale The Impossible.
On the set of Snowpiercer
The Los Angeles Film Festival celebrates its 20th anniversary this year, staring on June 11 with screenings of over 200 films programmed to entertain. Produced by Film Independent, the fest revels in showcasing independent and international cinema – from narrative films of all genres, to short films and international fare. This year, sections of the LAFF showcase upcoming independent movies releasing this summer as well as community screenings for the public and a look at daring, unique storytelling by some of today’s emerging filmmakers.
Snowpiercer opens the festival, making it the English-language debut of writer-director Boon Jo-Hong. This sci-fi fantasy stars Chris Evans and Tilda Swinton who live in a world covered in ice after an attempt to stop global warming fails. Survivors live on a supertrain circling what’s left of Earth. Inside, the poorest live in pathetic conditions, while the rich live in luxury, until one of the oppressed decides to change the state of affairs.
Scene from The Normal Heart
Danny Moder didn’t set out to be a cinematographer, but filmmaking is in his DNA. His grandfather, Dick Moder, was a director and his father, Mike Moder, spent nearly four decades on the production frontlines of films like Jeremiah Johnson, Beverly Hills Cop, and Crimson Tide. And it was on that 1995 Tony Scott action flick that Moder got his first taste of life on the set, after nagging his father “enough that he let me try it out for a summer job, working as a production assistant.” From there, he was hooked.
In the nearly two decades since he began his career, Moder has amassed nearly 40 credits, most recently as the cinematographer on Ryan Murphy’s The Normal Heart, which stars Mark Ruffalo, Matt Bomer, Taylor Kitsch, Jim Parsons, and Julia Roberts, who also happens to be Moder’s wife of a dozen years.
Director WALLY PFISTER on the set of Alcon Entertainment's sci-fi thriller “TRANSCENDENCE,” a Warner Bros. Pictures release. Photo by Peter Mountain.
Oscar®-winning cinematographer Wally Pfister is making his directorial debut with Transcendence. The film follows Dr. Will Caster (Johnny Depp), the foremost researcher in the field of Artificial Intelligence, who is working to create a sentient machine that combines the collective intelligence of everything ever known with the full range of human emotions. Anti-technology extremists attempt to destroy Will but instead become the catalyst for him to succeed, and be a participant in his own transcendence.
“Imagine your brain suddenly being able to connect to the Internet, to have access to every bit of information there—financial, medical, political…” remarks Pfister. “What would you do with that kind of knowledge, that kind of ultimate power? Would you use it for the greater good, or your own gain, or something else entirely? This film gives moviegoers a chance to see the possibilities and wonder if it’s a choice they’ll ever have to face.”