VISION3 500T Color Negative Film 5219/7219

Creating an Edgy, Anti-Comedy Look for Tammy

Susan Sarandon and Melissa McCarthy in a scene from Tammy (Photo by Michael Tackett.)

When a sample film clip on screen drew a collective, audible gasp in the screening room, director of photography Russ Alsobrook, ASC knew he would be shooting the comedy Tammy on KODAK Film. The cinematographer and the film’s principals had been at Burbank-based lab/post house FotoKem during preproduction doing digital versus film origination comparisons.

“It’s like we’ve forgotten how great film looks when you see it in comparison,” Alsobrook remarks. “We looked at each other, and it was a done deal. There was no question we were going to shoot fi lm. It has a rich, creamy look to it that you just can’t get any other way.”

Cinematographer Wyatt Garfield Gives Ping Pong Summer a Nostalgic 1980s Touch

Susan Sarandon. Photo courtesy of Gravitas Ventures.

Super 16mm was always the optimal format for Ping Pong Summer, according to writer/director Michael Tully’s Sundance-premiering feature about a family vacation in the summer of 1985. He and director of photography Wyatt Garfield wanted to make sure they weren’t making fun of the ‘80s, but rather wanted it to feel like an actual movie from their childhoods.

“We were going for a sincere take on the bizarre, indulgent aspects of the 1980s,” says Garfield. “We wanted to embrace the colors of that decade, but we knew that if we shot it digitally all those colors would come through too saturated, and it would quickly become a contemporary, synthetic homage. We relied on film to contain and soften all the saturated colors and keep the palette nostalgic.”

Congratulations LAFF on 20 Years of Showcasing Indie Film

On the set of Snowpiercer

The Los Angeles Film Festival celebrates its 20th anniversary this year, staring on June 11 with screenings of over 200 films programmed to entertain. Produced by Film Independent, the fest revels in showcasing independent and international cinema – from narrative films of all genres, to short films and international fare. This year, sections of the LAFF showcase upcoming independent movies releasing this summer as well as community screenings for the public and a look at daring, unique storytelling by some of today’s emerging filmmakers.

Snowpiercer opens the festival, making it the English-language debut of writer-director Boon Jo-Hong. This sci-fi fantasy stars Chris Evans and Tilda Swinton who live in a world covered in ice after an attempt to stop global warming fails. Survivors live on a supertrain circling what’s left of Earth. Inside, the poorest live in pathetic conditions, while the rich live in luxury, until one of the oppressed decides to change the state of affairs.

Dion Beebe Frames Edge of Tomorrow

TOM CRUISE as Cage in Warner Bros. Pictures’ and Village Roadshow Pictures’ sci-fi thriller “EDGE OF TOMORROW,” distributed worldwide by Warner Bros. Pictures and in select territories by Village Roadshow Pictures. Photo by: David James

In Edge of Tomorrow, Tom Cruise’s character endures an experience reminiscent of Groundhog Day. He relives his dying day over and over, hoping to eventually gain the skill and smarts to break the loop and conquer his enemies. But the similarities end there. In Edge of Tomorrow, the world is a high-tech yet recognizable future where human soldiers equipped with robotic suits must fight off invading aliens.

Oscar®-winning cinematographer Dion Beebe, ASC, ACS (Chicago, Collateral, Memoirs of a Geisha, Land of the Lost, Green Lantern, Nine, Gangster Squad) had previously worked with director Doug Liman (Swingers, Mr. & Mrs. Smith, Jumpers, The Bourne Identity) on a few commercials, but never on a project of this scale. They worked toward a visual strategy through careful preproduction testing.

Andrew Wheeler on Capturing Winter Light

Published on website: May 23, 2014
Categories: Focus On Film , VISION3 500T Color Negative Film 5219/7219
Scene from Winter Light

Director Julian Higgins and cinematographer Andrew Wheeler recently reunited for the short film Winter Light, which is based on the writings of James Lee Burke. The story is a modern-day revisionist Western set against a winter landscape in Montana.

Wheeler and Higgins first began working together while attending AFI. Their thesis film Thief, which was shot on 35mm, won a 2011 Student ACADEMY AWARD® Gold Medal. The filmmaking duo also took top honors in Canon’s Project Imaginat10n film contest for Here and Now in 2013.

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