Articles (Page 2)

Important Changes to Motion Picture Film Distribution and Customer Service

Published on website: October 21, 2014
Categories: The StoryBoard Blog

Kodak is in the midst of optimizing its motion picture film distribution by moving to a direct ship model, serving customers from our manufacturing facility in Rochester. As such, today we are announcing some changes in the way we distribute our motion picture products and provide customer service within the United States.

Effective Monday November 3, 2014: Reflective of our newly centralized service and support model, normal customer service telephone hours will now be Monday thru Friday, 8am to 5pm Eastern Time.

The Look of Fear

Published on website: October 20, 2014
Categories: Focus On Film , The StoryBoard Blog
Walkers - The Walking Dead Season 5, Episode 1 - Photo: Gene Page © AMC Film Holdings LLC.

We’re entering that haunted time of year, and trust us, it’s spooky out there. Both on television and in theaters, productions are being sharpened to shock and unsettle viewers. As part of their horror formula, American Horror Story, Dracula Untold, and The Walking Deadall use film to get the mood just right.

“On our show, we focus on the quality of the look,” says Tom Luse, producer of The Walking Dead. “We can shoot a zombie in bright daylight on film and it looks amazing. We also find that shooting 16mm is extremely quick. We have the flexibility to move our cameras and adjust very quickly under extreme situations in terms of heat, humidity and pretty hard physical situations.”

Dracula Untold - A Gothic Tale Gets a New Twist from John Schwartzman, ASC

Published on website: October 10, 2014
Categories: VISION3 500T Color Negative Film 5219/7219 , The StoryBoard Blog
John Schwartzman, ASC on the set of Dracula Untold (Photo: Jasin Boland © Universal Pictures)

Universal Pictures’ Dracula Untold reveals the origins of Bram Stoker’s infamous vampire Dracula. Starring Luke Evans (Fast & Furious 6, The Hobbit series) as Vlad the Impaler, audiences learn the catalyst behind his transformation into the all-powerful creature of the night.

Kill the Messenger Captures the Recent Past

Published on website: October 09, 2014
Categories: The StoryBoard Blog
(l-r) Jeremy Renner and director Michael Cuesta work out a scene for the dramatic thriller KILL THE MESSENGER, a Focus Features release. (Credit: Chuck Zlotnick / Focus Features)

Director Michael Cuesta (Tell Tale, Roadie) and director of photography Sean Bobbitt, BSC (12 Years a Slave) aimed to shoot things right with Kill the Messenger, a dramatic thriller based on the remarkable true story of Pulitzer Prize-winning journalist Gary Webb.

In the 1990s, Webb (played by Jeremy Renner) searched from the prisons of California to the villages of Nicaragua to the corridors of power in Washington, D.C., for the hidden truth behind a complex, international drug smuggling network. His investigative reporting drew the kind of attention that threatened not just his career, but his family and his life.

Insight: Tom Luse - on producing The Walking Dead in Super 16

Published on website: October 08, 2014
Categories: 16mm , Television , Focus On Film , VISION3 500T Color Negative Film 5219/7219
Tom Luse - The Walking Dead _ Season 4, Episode 5 _ BTS - Photo Credit: Gene Page/AMC

Though he didn’t know it at the time, producer Tom Luse began preparing for a career in show business in college, when he was charged with the enviable task of popping the popcorn at an art house cinema in his hometown of Atlanta. “I liked movies, but it wasn’t something I had planned on going into,” explains the EMMY®-nominated producer. “But later, in graduate school, I had the opportunity to study film and ended up getting a degree in Communications.”

While these days it’s being an executive producer on The Walking Dead that keeps Luse busy (he’s been with the show since the very beginning), he has dabbled in a variety of job titles over the years. “I wanted to be a technician originally, and ended up working in the camera department as a grip,” Luse recalls. “I found that my skills were really in organizing things and thinking ahead, which eventually led me into location management, then into production management, and then into producing.” As he readied for the fifth season of The Walking Dead, Luse spoke with us about lighting a post-apocalyptic universe, the cost of time, and why zombies look better on film.