My Dailies Journal: Reed Morano on the set of Kill Your Darlings

Categories: Feature Films , Reed Morano

Reed Morano is taking us on location for her latest project Kill Your Darlings. Directed by John Krokidas, the film explores poet Allen Ginsberg’s (Daniel Radcliffe) life through his relationships with fellow writers Jack Kerouac (Jack Huston) and William S. Burroughs (Ben Foster) and how their bond is tested when a friend is murdered. Check out what Reed and her crew have been up to behind-the-scenes:

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"This is the day we shot the character Ginsberg arriving at Columbia for the first time. We had huge crowds out to see Dan Radcliffe. I'm in the foreground and Dan is to my left and director John Krokidas is to my right. We are lining up at dolly shot of Dan walking up the steps of the Lowe Building."

 

Hooray for Indiewood

Categories: Industry , Kimberly Snyder
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Kimberly Snyder
President and General Manager
Entertainment and Commercial Films Group
Vice President of Eastman Kodak Company

The proliferation of independent films over the past several years has been an encouraging trend in the entertainment industry. Filmmakers who operate outside of the major Hollywood studios supply a large number of the feature film titles screened in U.S. cinemas. For movie-goers, this means a plethora of unique, compelling stories to enjoy. And as these stories reach viewers through an expanding array of platforms, there will be some amazing opportunities for exploring new content.

If you look beyond the hype, you would find many of the recently celebrated indies originated on film. Independent movies shot on film are having highly successful runs at the box-office. In 2011, the top five grossing indie films in limited release were all shot on film. Indies originating on film didn’t just make an impact at ticket counters; they earned critical praise and the industry’s top awards. You might recognize some of these titles—The Artist, Midnight in Paris, The Descendents, The Tree of Life, My Week with Marilyn, Martha Marcy May Marlene, Pariah, and the list goes on.

Vive la Cannes!

Categories: Industry , Kai Langner
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The 65th Festival de Cannes is set to begin May16. This small, seaside town has hosted the worldwide premieres of many of the most-celebrated feature films in history, including this year’s Oscar®-winning Best Picture, The Artist .

Kodak is proud to have a long history and presence at the Cannes International Film Festival, which is evident once again when you look at the titles in this year’s main competition. Over half the movies selected for competition this year were shot on Kodak film.

Kodak and ARRI Committed to Film

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The benefits of film are well known, and with today's complex world of digital formats and fast-paced camera obsolescence, film remains a superior medium for capture, display and archiving. Just a few months ago, we introduced the newest member of our VISION3 family and this year we'll launch a new platform of preservation films. These are just a couple of the many examples of Kodak's innovation in advancing film technology. ARRI is also "actively developing new technology that will help get the best out of film and preserve as much of our cinematic history as possible."

In the current issue of ARRI News, ARRI reaffirms that the company is committed to supporting and advancing film-based systems "for the next ten years at the very least." And we are proud to stand with them.

The Digital Dilemma 2 – A Cultural Heritage at Risk

Categories: Archiving , Kimberly Snyder
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Kimberly Snyder
President and General Manager
Entertainment and Commercial Films Group
Vice President of Eastman Kodak Company

It’s no secret that the entertainment industry is engaged in a technology transition that puts high stakes on the line when it comes to the preservation of motion picture assets. “The Digital Dilemma 2,” recently published by the Science and Technology Council of the Academy of Motion Picture Arts and Sciences, takes a thorough and analytical look at the impact of the digital revolution on filmmakers’ assets, and in particular, the assets and processes of independent filmmakers.

The report follows 2007’s “The Digital Dilemma,” which focused on studio content, and like its predecessor, this second in-depth study covers critical topics for the overall industry in terms of securing entertainment assets for the long term.

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